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If only I could return to the point beyond that corner, turn the corner again, and experience the titillation of that approaching water station, and then the satisfaction of the drink, once more, or many times over! What more could a man desire?”Īnd so he forgets the race and its imperative to keep moving, to keep his sinews loose and lithe, and to keep his mind focused beyond this moment, and immerses himself in a repeated effort to return beyond the corner - perhaps sometimes even descending halfway back down that uphill climb in order to approximate his original pain more realistically - and then turn that corner again and again, to relive the joy of the water station. Now imagine that marathoner, upon eagerly slaking his thirst, losing himself in this thought: “I have never felt a pleasure sweeter than that which I just experienced, bringing that unexpected water bottle to my lips in this exhaustion and heat. Imagine the momentary delight of a marathoner on a hot day, as he turns a corner after a long uphill climb and suddenly sees a water station approaching. The second, a more insidious danger to finer souls, indicates the error of confusing the passing enticements of the good life with the essence of the good life.

The first falls simply under the syllogism of pleasure and pain outlined above. Hence, the two great threats to spiritual development: (1) unproductive pleasure, and (2) intentional repetition of a salutary pleasure. This latter pleasure - the pleasure that accompanies or rewards growth as such - would thus be the only pleasure consistent with the life impulse. The only possible exception to this conclusion would be a pleasure that was specific to the process or achievement of growth itself. Therefore, pleasure either interrupts or thwarts growth.
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林志美音樂會 Timeless Samanthas Live 2015 BluRay 1080p 2Audio DTS-HD MA 5.1 x265.10bit-BeiTai.

Numan blazed a trail for Nine Inch Nails’s industrial rock, Afrika Bambaataa’s hip-hop explosion, and even early-2000s club bangers like Basement Jaxx’s immortal ‘Where’s Your Head At?’ A pleasure indeed. Throw in a healthy dose of production trickery including flanging, phasing, layers of reverb, and some solo violin, and you are the rest of the way there! Numan was influenced by the greatest pioneers of electronica – Kraftwerk’s epochal Autobahn ghosts the track ‘Cars’ (the very same synths were used!) – and, subsequently, he influenced a generation of new artists. Numan employed a variety of Moog synthesizers to realise The Pleasure Principle, achieving his trademark sound largely by use of the distinctive ‘Vox Humana’ setting. The album heralded the purely electronic, distinctly robotic sound that this modern icon has become most famous for today. On this record, his third solo effort (and first under his own name), Numan abandoned guitars completely, instead embracing a more synthetic style of production. Released about six months after Replicas, it was an instant commercial success, quickly reaching the dizzy heights of number one in the UK Charts. The Pleasure Principle was an important point of departure for Gary Numan, and a significant breakthrough moment in the context of his long and storied career. The Pleasure Principle went to number 1 in the United Kingdom. The legendary proto-new wave / electronic hit from Gary Numan that went on to influence an entire generation of synth-heads and knob twiddlers.

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Studio Masters, Official Digital Download – Source: Qobuz | Beggars Banquet Gary Numan – The Pleasure Principle (1979/2015)įLAC (tracks) 24 bit/96 kHz | Time – 41:06 minutes | 864 MB | Genre: Rock
